History of Art pupils were inspired to set up the Dead Artists' Society

History of Art pupils were inspired to set up the Dead Artists' Society...

On Thursday 15^th December at 8.50am, the founding president of the Dead Artists’ Society, Lucy, brought the first meeting to order and formally began the Society’s inauguration with these words.  

‘I would like to commence the first ever official meeting of the Dead Artists’ Society. Art history is a constantly evolving subject and carries information that I believe is critical to the development of human society. It brings together all people, cultures, time periods and so much more, allowing us to see the links between. We are all founders of this Society, which I hope will carry our legacy forward for future art historians. And I one day hope for this Society to become a part of the History of Art course.’ 

The Dead Artists’ Society is the brainchild of the U6^th Art Historians who wanted the opportunity to have their essays read and discussed in a group environment, as well as a chance to bring art history into the mainstream and to celebrate the talents and ideas of those who have shaped the course of art. Taking inspiration from Robin William’s blockbuster, Dead Poet’s Society, Lucy gathered ideas and support from her peers and organised the meeting in the prestigious John Davie Room.  

First to share their essay was James (Lyon) who delighted the audience with his persuasive ideas on Michelangelo’s David. His articulate research and authoritative knowledge of his subject allowed for a convincing portrayal of power, ambition, and most of all, artistic glory. Questions from the circle evoked powerful debate on the artwork, and James stood majestically at the front, skilfully retorting as impressively as David himself.  

Second to share their essay was Jessica (Priory) who staunchly recited the revolutionary and pioneering women involved in the rise of Feminism and its association with art. Regaling the audience with anecdotes from the artists and art historians, Jessica painted a picture of these brave women who faced bias and isolation in a male dominated world. Her powerful portrayal of the sometimes-desperate measures of these women to have their voices heard, left a profound effect on the audience. Jessica talked with passion and empathy about the work of Nancy Spero and Judy Chicago. It was an enlightening essay, and she confidently went on to respond to questions raised by the audience, allowing us all to become more educated about these inspirational women. 

With five founding members of the society, we hope that this will be a permanent addition to the exciting and challenging History of Art course which we run at King’s Bruton. We look forward to the next meeting in a few weeks’ time. 

Seamus Harkness - Head of Art